In the scene of heavy metal, art has always been an important
element of the music. In the old days, skulls and fire dominated album
covers and in the early 90's death metal cd covers began being seen
with free hand art that was infinitely more interesting and complex.
Artists like Dan Seagrave and Andreas Marschall gave us some truly
amazing cover work. Later, free hand art became much more rare in the
realm of metal. Cover art gave way to the computer age and the use of
pre-existing photography. It seemed that some of the very soul of metal
was missing. A few true artists surfaced in the later 90's like Wes
Benscoter and one new talent from Finland, Juha Vuorma.
Juha Vuorma's art had an immediate visual impact on me. His art
is incredibly hard to describe. It appears full of movement, great
depth, and individual style. While Juha has several different
techniques, it was his more abstract work that caught my interest most
of all. His paintings are the kind you long to touch and examine the
surface closely, eyeing each stroke of the brush and knife. Juha's work
is quite dark, yet not in a traditional sense. His cover work speaks of
surrealism and nightmares that one would conceivably never see on the
mortal/physical earth, yet the paintings have strong connection to
something organic, something real. I interviewed Juha about art and
music and certainly learned a few things from this modest and gifted
artist.
What is your background in art? Do you come from an artistically talented family? Did you attend college for art?
Well I don't think anyone in my family has been really talented
in art, or even interested in art. I've studied everything myself,
never attended any kind of art school or college. That's why I've
learnt quite slowly and still have a long way to go.
How do you describe your art for people who have yet to see it?
Eh, this is a hard one. But most my album cover work belongs to the so
called "fantasy art" genre, maybe rather illustrations than "art".
Colorful, sometimes surreal.
From what I can tell, you have 3 main styles, the black and
white comics, the traditional paintings (Darkwoods My Betrothed, New
Eden etc), and then the more avant-garde types (such as the
Dew-Scented, Nightingale or Immortal Dominion cover works). Do you
prefer one of these styles over the others?
That is true, I do have 2 painting styles and then the comics
stuff. But I don't really prefer any style. I use the one that happens
to fit with the subject. And it's like when I've done lots of
abstract/avant- garde kinda original stuff, I like to do some really
traditional (or clichee) stuff for a while. And vice versa.
Getting into technique, what kind of paint and surfaces do you prefer to use for your work?
Mostly acrylic on canvas. But with this avant-gardish style (as
you defined it) I use oil, and not necessarily on canvas...I experiment
different surfaces.
Can you describe the technique for your avant-garde style? How
do you achieve this depth, texture and richness in color? It often
reminds me of Robert Venosa's work in how the light actually seems to
reflect back from the canvas.
What makes it so recognizable and deep, is the fact that I do
not use brush (well I do some, but not much), but a palette knife. I
mix and scratch the paint with the knife using a technique I've
developed myself. By the way, who is Robert Venosa? Was he the guy who
has done stuff for Carlos Santana and some others?? I've heard the
name, but am not quite sure.
These paintings seem very organic with all the forms that
appear as roots, plants or some strange microscopic life. Is nature an
important factor in your inspiration to create?
Maybe unconsciously, but I have never really thought of it. I
do come from countryside of northern Finland, so maybe it has affected
my work. And I would say some my paintings are like
landscapes...landscapes of mind or something. But not all paintings are
based on my own concepts and visions though, some are just plain
illustrations done exactly the way bands want them.
While being very dark, your paintings are more dream-like than
horrific (perhaps excluding In the Garden of Eden). Where do these
images come from? Are they well planned or more spontaneous?
Where do they come from...that's impossible to answer. Not 100%
planned, that's for sure. Many times something just clicks and painting
like finds it's own way. But it does not come easy, much of what I get
done is just rubbish that I throw away (of the avantgardish stuff that
is). And not all my paintings are dark, cd cover paintings usually are
as that fits with metal music.
What are some artists you admire, both past and present?
Edward Hopper, Munch, Frazetta, John Kane, many Finnish painters.
There's probably hundreds of excellent painters that I've never heard
of...I'm a bit lazy getting to know art history, or today's art scene.
Comic artists that I like are mostly Italian like Ivo Milazzo,
Gino D'antonio, Rene Polese and also some others like Sergio Toppi,
Hideshi Hino and Didier Comes. I was heavily into some Italian western
comics like Ken Parker and Storia Del West when I was a kid (and they
still are my faves).
Tell about your comic work, In The Garden of Eden, Blanco, and
Blue Hood, can you tell a bit about each? Just what is the character of
Blue Hood anyway? Would you ever like to work for a major comic company
like Image or Marvel?
In The Garden of Eden is a painted comic, without any dialogue.
I had never done anything in color and wanted to try. It has never been
printed, as no one in the underground comics scene can afford colors .
It's just this one short story. Won't be more work under that title, I
guess.
[Note:In the Garden of Eden WAS published after all, in full
color, most professional way, tabloid size full color graphic album,
distributed by Diamond. Prophecy anthology 1 © Sequent Media Inc. 2004,
ISBN 0974653101, Library of Congress Control number 2003114502, San
Diego USA. Sadly Art Director Doug Miers who had a lot to do with this
comic getting publihed passed away.Doug R.I.P.]
Blanco is a western comic, kinda surreal with some strange
humour. This shows lots of influences from those Italian westerns
mentioned before. In the artwork I mean.
Blue Hood is a humour comic, newspaper strip. That fellow is a
panda bear or an elf or whatever. Anyway he lives in the forest and has
his own way to see things. He's always in conflict with bureaucracy
because of his unique way to think. The comic is maybe a little like
Jeff Smith's Bone. Blue Hood comic strips have been published by some
local newspapers in Finland.
Working for some major comic company would be an OK way to make a
living, but that's not a realistic thought as American comic book
companies are definitely not hiring artist's from Finland. There's more
than enough professionals available in USA for them.
What do computers represent to you in the realm of art
creation? Do you ever feel they endanger your profession as a free hand
'real' artist? Should 'real' artists have to drop their paintbrushes
and move to a mouse and keyboard merely to adapt to the digital world?
I think computer art has already conquered very large part of
illustration field. Underground metal was the only music genre to value
handicrafts in the past. You know, no synthesizers and machines in the
music, and on cover a PAINTING, not just any photo or something like
that. But it has changed. Most of the cd covers are computer art
nowadays...and that's sad. Computerized images look very good and sell
the cd's, but still they do lack something HUMAN. Not so much
personality. I prefer to stick with painting at the moment. Can't
afford equipment for digital art right now anyway.
[ Note: some bands still share the point of view. Understand it
or donґt. : Interview with Usurper about their album cover artists
Craig Simpson and Juha Vuorma - video clip 1.3 MB [here]
Are you a fan of metal music? Some artists such as Dan Seagrave
were not fans of metal, yet became well known in the metal scene. Does
music itself inspire your work? What are some of your favorite bands or
musicians?
Yes I am, and always have been. But I've also always listened to other
styles of music as well. Music does sometimes inspire my work. As I'm
familiar with different types of metal I also have "instinct" that
helps to create a picture that fits just that band's music. Would be
difficult if I wasn't into metal.
Most of my faves are from the 80's, that's when I really got
into music. I like Overkill, Celtic Frost, Riot, Rods, Savage Grace,
Jack Starr's first solo album, Razor, Ritchie Blackmore's most
projects, Molly Hatchet, Lynyrd Skynyrd, Black Oak Arkansas, Doc
Holliday , Kashtin, John Campbell, Blackfoot, New Model Army and much,
much more - all kinds of stuff.
If a person wants to hire you, what are your prices? Are you
anywhere near making a living doing your art?
I'll negotiate it with interested band/label. No, I'm not making a
living, not a chance! That would be impossible. Just a rather expensive
hobby (financially a hobby, of course art itself is more than a "hobby"
for me).
Questions and introduction by Scott Crinklaw.
Работы этого известного художника очень интересны и неповторимы....
